A CLOSER LOOK
The museum identifies this painting as Hanging scroll; ink and color on silk.
The museum's collection notes: The quest of capturing one’s spirit through imagery held a special place in the tradition of portrait making in East Asia. A portrait’s resemblance to the subject was considered to be a way to transmit the sitter’s spirit to the viewer. A three-quarter view, much preferred in Joseon-period portraits like this one, allows the viewer to examine the sitter’s personality or spirit without an exchange of glances. Dressed in a pale pink court uniform, the gentleman sits on a chair draped with leopard skin, a symbol of royal favor. Due to the missing inscription, which was likely trimmed off, we cannot identify him. Yet, we know a few things: His un