China, Ming dynasty (1368–1644) / late 1400s–early 1500
Birds Gather under the Spring Willow
The Cleveland Museum of Art catalogs Birds Gather under the Spring Willow as painting (China, Ming dynasty (1368–1644) · late 1400s–early 1500).
The peahen is plucking a dandelion.
A CLOSER LOOK
The museum identifies this painting as hanging scroll, ink and color on silk and credits Yin Hong (Chinese, c. 1430-c. 1500).
The museum's collection notes: This scroll depicts a spring scene with all kinds of birds, including one peacock with a hen among peonies. The painting is one of four surviving works by Yin Hong bearing his signature and seals. Some scholars debate whether this work depicts the theme “One Hundred Birds admiring the Phoenix,” a metaphor for human society presenting an idealized hierarchy under imperial rule; other scholars argue that peafowls, as exotic birds not native to China, would not be depicted to represent the emperor. This large painting might have been hung in a palace hall and may have been part of a set depicting the four seasons.
FOLLOW THE EVIDENCE
The Cleveland Museum of ArtBirds Gather under the Spring WillowOriginal explanation based on the sources above. Images carry their own reuse terms.