
Germany / c. 1532
Terminus, the Device of Erasmus
Terminus, the Device of Erasmus
The Cleveland Museum of Art catalogs Terminus, the Device of Erasmus as painting (Germany · c. 1532).
Tree ring analysis helped determine the date of this painting.

Germany / c. 1532
Terminus, the Device of Erasmus
The Cleveland Museum of Art catalogs Terminus, the Device of Erasmus as painting (Germany · c. 1532).
Tree ring analysis helped determine the date of this painting.
A CLOSER LOOK
The museum identifies this painting as oil on wood and credits Hans Holbein the Younger (German, active England and Switzerland, 1497/98–1543).
The museum's collection notes: In the spirit of the Italian Renaissance, Erasmus of Rotterdam (c. 1466–1536), the celebrated Dutch humanist and scholar, embraced ancient Greek and Roman literature and incorporated much of its moral and ethical messages into his own work. Holbein here conflates Erasmus’s features with Terminus, the Roman god of boundaries, who defied Jupiter by maintaining his position atop Capitoline Hill. Erasmus adopted Terminus, along with the motto concedo nulli (I concede to no one), as a personal symbol for devotion and steadfastness.
FOLLOW THE EVIDENCE
The Cleveland Museum of ArtTerminus, the Device of ErasmusOriginal explanation based on the sources above. Images carry their own reuse terms.