Germany, early 16th Century / 1504
Adam and Eve
The Cleveland Museum of Art catalogs Adam and Eve as print (Germany, early 16th Century · 1504).
Albrecht Dürer set the Garden of Eden in a northern forest, with the tree of knowledge represented by a fig tree and the tree of life by a mountain ash.
A CLOSER LOOK
The museum identifies this print as engraving and credits Albrecht Dürer (German, 1471–1528).
The museum's collection notes: Albrecht Dürer’s iconic engraving was hugely impactful to the spread of natural symbolism in Europe. Drawing upon classical sculptural models, he represented Adam and Eve in perfect, uncorrupted beauty moments before tasting the forbidden fruit. The tree of knowledge, with its writhing serpent, is a fig tree, and the tree of life, which Adam clasps, is a mountain ash, native to Northern Europe. The elk, rabbit, cat, and ox are symbols of the four human temperaments—melancholic (gloomy), sanguine (sensual), choleric (cruel), and phlegmatic (slothful)—in perfect balance. But the cat and mouse hint at aggression to come, and the parrot, appearin
FOLLOW THE EVIDENCE
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