Italy, Venice / c. 1515
Virgin and Child with Saints and Donors
The Cleveland Museum of Art catalogs Virgin and Child with Saints and Donors as painting (Italy, Venice · c. 1515).
The two figures who kneel with their hands clasped are likely the donors who commissioned this painting.
A CLOSER LOOK
The museum identifies this painting as oil on wood and credits Giovanni Battista Cima da Conegliano (Italian, c. 1459–1518).
The museum's collection notes: This work reinterprets the most common subject in Renaissance art—the Madonna and Child. The tender relationship of mother and son spoke to Mary’s role as intercessor for humanity, sparked an empathetic relationship with Christ, and helped invest Christian practice with tenderness and compassion. Works at this scale were usually for private devotion, but distinct styles and refined craftsmanship were also appreciated for their artistry and creativity. Here the donors occupy the same landscape as the holy figures, emphasizing how Mary’s compassion extends into our world. This painting was never finished, visible in Saint Anthony Abbot’s beard
FOLLOW THE EVIDENCE
The Cleveland Museum of ArtVirgin and Child with Saints and DonorsOriginal explanation based on the sources above. Images carry their own reuse terms.