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First a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White, Rearing Ho, from The Cleveland Museum of Art
The Cleveland Museum of Art · Open Access · Reuse terms

France, 19th century / 1888

First a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White, Rearing Ho

First a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White, Rearing Ho

The Cleveland Museum of Art catalogs First a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White, Rearing Ho as print (France, 19th century · 1888).

WHY IT’S INTERESTING

Publisher Edmond Deman commissioned this portfolio after he saw an 1886 exhibition of Redon's work in Brussels, Belgium.

SERENDIPITYA little unexpected
FamiliarWeird

A CLOSER LOOK

The museum identifies this print as lithograph and credits Odilon Redon (French, 1840–1916).

The museum's collection notes: This portfolio is one of three made by Odilon Redon inspired by avant-garde writer Gustave Flaubert’s novel The Temptation of Saint Anthony (1874). Captivated by the book’s fantastical account of moralizing tests encountered by a hermit in the desert, Redon executed charcoal drawings and attempted to evoke that medium’s dense blackness in his lithographs. Based on the text’s darkly imaginative tone rather than its actual content, the works in this series present invented monsters and figures in otherworldly settings with jarring tonal variations. Although Redon felt that the prints effectively translated the surreal universe of his source mat

FOLLOW THE EVIDENCE

The Cleveland Museum of ArtFirst a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White, Rearing Ho

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